Alaa Al Aswany has won resounding critical acclaim for his deft and moving portrayals of the lives of contemporary Egyptians who constantly examine their relationship with Egypt's history, religion, class, and gender distinctions. In Friendly Fire he once again demonstrates an extraordinary empathy for lost and searching souls as he focuses on the exquisite emotions of everyday life.
In "The Kitchen Boy" and "Dearest Sister Makarim," Al Aswany explores the hypocrisy of the class divide. The brief and tender "Izzat Amin Iskandar" is a heartrending view of youthful hope. And in the unforgettable novella "The Isam Abd el-Ati Papers," the narrator carries us along a troubling journey through his painful relationships with his artist father and his self-centered mother, en route to a devastating collision of temptation and morality.
Here are stories of generational conflict, love, repression, and the clash of Western and Arab ideals, all beautifully rendered by a true modern master.
About the Author
Alaa Al Aswany is the internationally bestselling author of The Yacoubian Building and Chicago. A journalist who writes a controversial opposition column, Al Aswany makes his living as a dentist in Cairo.
Humphrey Davies is an award-winning translator of Arabic literature from the Ottoman period to the present. Writers he has translated include Yusuf al-Shirbini, Elias Khoury, Alaa Al Aswany, Bahaa Taher, Muhammad Mustagab, Gamal al-Ghitani, Hamdy el-Gazzar, Khaled Al-Berry, and Ahmed Alaidy. He lives in Cairo.
“Al Aswany masterfully deciphers the forces behind social polarization over class, gender, race, religion, and politics, tracking the pendulum swings from sympathy to hate, dream to despair, sorrow to resignation, and refusing simple answers and tidy conclusions.”
“A startling first collection, elegant yet pointedly sharp-tongued and sarcastic…. Al Aswany is an insightful student of the human condition whose trenchant characters evoke a weird hybrid of Albert Camus and Charles Bukowski; the strange landscape depicted is at once painful and playful, rich in meaning and understatement.”
“At times al-Aswany’s stories are heartbreaking, at times they are uncomfortable, at times hilarious, but no matter what the mood, his work is always steeped in the greywater of humanity.”
-Virginia Quarterly Review